7 Sticking Their Tongues Out

CHAPTER 7 Sticking Their Tongues Out Even though the Altamont concert had been a disaster, it proved that the Rolling Stones could draw huge, record-breaking crowds. By the early 1970s, the Stones had hundreds of thousands of

尽管阿尔塔蒙特的音乐会是一场灾难，但它证明了滚石乐队可以吸引大批破纪录的观众。 到20世纪70年代初，滚石乐队已经拥有了数十万

fans. They also earned a lot of money! But they owed taxes to the British government. To avoid even bigger problems, they had to leave England. Before the band left the country, they finished work on their next album, called Sticky Fingers. It was released on their own record label, Rolling Stones Records. The record showed off their new logo—a mouth with its tongue sticking out. The album became number one in both America and Europe. And the Stones gave a farewell tour before they left England for the south of France in April 1971. A large house that Keith had rented in the south of France became the band's home base. The beautiful old home had a view of the Mediterranean Sea and a private beach. The Stones didn't have to worry about tours. They didn't have to work around other people's schedules. They could take their time and do whatever they wanted.

粉丝。他们还赚了很多钱！但是他们要向英国政府纳税。 为了避免更大的麻烦，他们不得不离开英国。 在乐队离开这个国家之前，他们完成了下一张专辑《Sticky Fingers》的制作。 这首歌由他们自己的唱片公司滚石唱片公司发行。 这张唱片展示了他们的新标志——一张伸出舌头的嘴。 这张专辑在美国和欧洲都荣登榜首。 1971年4月，滚石乐队在离开英国前往法国南部之前进行了一次告别巡演。 基思在法国南部租的一所大房子成了乐队的大本营。 这座美丽的老房子可以看到地中海和一个私人海滩。 滚石乐队不用担心巡演。 他们不必按照别人的时间表工作。 他们可以慢慢来，做他们想做的事。

The Band's Logo The Rolling Stones logo is a bright red pair of lips, white teeth, and a long tongue. John Pasche created it for the Sticky Fingers album. Although Mick wanted an image of the Hindu goddess Kali—the goddess of time, death, and power, often shown with her tongue sticking out— Pasche has said that he got the idea for the Stones' logo the very first time he met Mick Jagger. The designer was inspired by Mick's own, very large, mouth.

滚石乐队的标志是一对鲜红色的嘴唇，洁白的牙齿和长长的舌头。 John Pasche为Sticky Fingers专辑创作了这首歌。 虽然米克想要一个印度教女神卡莉的形象——时间、死亡和力量之神，经常伸出舌头——但帕什说他第一次见到米克·贾格尔时就有了滚石乐队标志的想法。 设计师的灵感来自米克自己的大嘴巴。

So the group relaxed and wrote lots of new music. When they couldn't find a good recording studio nearby, they built one in the basement of Keith's house. They also used their "Mighty Mobile"— a vehicle that carried all of the portable recording equipment they needed. Soon, the band had enough songs for a double album. Exile on Main Street came out in May 1972.

于是乐队放松下来，创作了很多新音乐。 当他们在附近找不到一个好的录音室时，他们在基思家的地下室建了一个。 他们还使用了他们的“Mighty Mobile”——一种携带他们需要的所有便携式录音设备的车辆。 很快，乐队就有了足够的歌曲来制作一张双张专辑。 《大街上的流放》出版于1972年5月。

To promote the new album, the Stones set out on their seventh North American tour in a private plane with their logo painted on the side. Then they toured in Europe and Australia. And they even took the time to stop in Jamaica to work on a new album.

为了宣传新专辑，滚石乐队乘坐一架私人飞机开始了他们的第七次北美巡演，飞机的侧面画着他们的标志。 然后他们在欧洲和澳大利亚巡演。 他们甚至花时间在牙买加停留，制作一张新专辑。

One day in 1974, Mick Taylor told Mick Jagger that he wanted to leave the band and try out some new music. The Stones hoped to hire their friend Ron Wood to replace him. Ron played guitar with the rock band Faces. He was a good musician and a very positive person. He was also a fan of the Stones. Ron Wood left Faces and joined the Stones in 1975.

1974年的一天，米克·泰勒告诉米克·贾格尔，他想离开乐队，尝试一些新的音乐。 滚石乐队希望雇佣他们的朋友罗恩·伍德来代替他。 罗恩是摇滚乐队Faces的吉他手。 他是一位优秀的音乐家，也是一个非常积极的人。 他也是滚石乐队的粉丝。 1975年，罗恩·伍德离开了“面孔”乐队，加入了“石头”乐队。